Tag: music

  • WZRD Chicago Celebrates 50 Years of Freeform Radio

    WZRD Chicago Celebrates 50 Years of Freeform Radio

    Wizards have been Broadcasting since 1974

    WZRD Chicago 88.3 FM, a college radio station sponsored by Northeastern Illinois University celebrated their 50th anniversary at Martyr’s 3855 N. Lincoln on Saturday, May 4, 2024. (WZRD 50th anniversary cake photo courtesy of Meaghan Panici, all other video shot by C. Schandelmeier)

    While they cannot be seen due to their cloaks of invisibility on the airwaves of sound, the Wizards at WZRD Chicago 88.3 FM are all around, providing innovative programming, public service, and genres of music as diverse as this great big wild and wonderful world. The 50th anniversary party was a celebration of WZRD, a freeform radio station housed at Northeastern Illinois University. This memorable event was run by volunteers as curated by Meagan Panici. WZRD is a college radio station that was founded in 1974 by a group of community minded college students with a focus on creating a collective spirit where egos are left at the door as each disc jockey drops their individual identity and becomes known only as a “wizard.” 

    WZRD has a broadcast range of about 10 miles in a densely populated area, and also streams live online. In the spirit of freeform, which requires each DJ play at least six genres in a three hour slot, four very different bands who had previously performed at WZRD for the regular series Thursday Night Live (run by technical engineers Alejandro Aguilar and Rick Martin, who also was the first-ever station manager of WZRD) were represented at the event: Cosmic Bull, with a genre critics have called “Disco Americana,” Silver Abuse, who were on the cutting edge of the punk movement in Chicago, Sons of Ra, with avant-jazz fusion, and Charlie Otto + His Gear with electronic progressive rock and dance music. The event was held at Martyrs, 3855 North Lincoln Avenue on Saturday, May 4th, and had free entry. The force of the power of music was with the Wizards who jammed most righteously in celebration of the 50th anniversary.

    Karen Wehrle, a former wizard herself, introduced the event,

    “In the late 1970’s when I was a teenager, my friends and I would listen to WZRD especially Sunday Morning Nightmare with Terry Nelson. Teenage Party with little Dougie Brown and Tan Tea Time with Craig Schmidt were all DJs who influenced my world of music. They gave me so much knowledge of music that still stays with me now. My friends and I would record songs off the radio on our cassette tapes…”

    The genius behind the event is Meagan Panici, who was recently nominated for the Chicago Reader’s “Best Radio DJ” Award  and was thrilled when she came in hot on the heels of WXRT’s legendary Terry Hemmert. When asked about her involvement with WZRD’s 50th anniversary bash, Panici responded,

     “I booked the venue, the four bands, promoted the show, hired a designer to make the poster, put together a slideshow with the help of Terry Nelson, Amy Buscemi and Karen W (Wehrle, who was a wizard in the late 1970’s) which played between bands – I hired the food truck and helped shape their menu….”

    “…Terry gave me a bunch of CDs with station IDs and songs from those artists and I digitized them for our house music. I got a cake and helped with acquiring the merch. Set up the live stream like 5 days before. It was quite an effort! I’ve never done all the aspects of a show before. I’m really proud of myself.”

    Panici is justifiably proud to be such a hard working member of this community station, which is run entirely by volunteers under the guidance of media coordinator Dennis Sagel. Sagel, whose humble demeanor hides a very firm handshake, provides a disciplined work ethic that helps WZRD set the standard for other local university radio stations. 

    According to Cosmic Bull’s Mark Vickery, “WZRD changed the trajectory of Cosmic Bull for the better. When we had only a few gigs under our belt, Meagan brought us in for Thursday Night Live, and that performance was so good I knew I had to get this band in the studio. And here we are today with a full recorded LP!”

    Other features of the event were Grossett’s Irie Jerk Mobile Food Truck with Jamaican cuisine, Lindsey Michelle Taich, an artist who was painting while the concert blossomed all around her, and handmade beaded earrings made by Mayan women in Guatemala and sold by Jonathan Villacres of Yoga on the Beach. Round Trip Records was represented with real vinyl, and WZRD had a booth where commemorative t-shirts, stickers, and other swag were for sale. The real spine of the event was all the wizards – past and present – who attended with unbridled enthusiasm and support. 


    Another Thursday Night Live favorite, Charlie Otto + His Gear closed out the night with a dance party. According to Panici,

    “Charlie used to be in a Talking Heads cover band that I was the promoter for. He started his career in the music biz at Martyr’s at a bartender and the owner Ray (behind the soundbooth) helped (him) get a custom made guitar from Adrian Belew’s people. He also met his wife working there.”

    Otto fit right in with the wizard theme as he has an eye on the future while performing electronic progressive rock and dance music. Another 50th anniversary event is in the works, according to Panici, with some “big names” being interested in performing. Listen Live to what other wonders from the wizards await their listeners at https://wzrdchicago.org.

    A Wizard Revealed

    In the name of full disclosure, this article has been written by a wizard who has been working as a volunteer DJ at the radio station since 2011, and has had over a thousand interviews. In that time, I have had over a thousand interviews from homeless people to future judges from theatre directors to musicians, and everyone in between. I felt called to become a wizard because of my best friend, Effie Mihopolous, another wizard who was also a double alumni of NEIU. (Mihopoulos is most famous as a critic, poet and the publisher of both Salome Dance Magazine and Ommation Press, which published Cornelius Eady’s “Victims of the Latest Dance Craze” and won the Lamont Prize in 1985. This made history because it was the first time such a small, independent press had won The Lamont Prize, which is a very prestigious award in the world of poetry. It is akin to the Academy Award of the poetry world). Mihopolous passed away from breast cancer in 2010. Prior to that, I had breastfed my first son, Vincent, at the radio station as a guest for a show at WZRD with the theme of “What Matters.” I have both my Bachelor of Arts in Theatre (1989) and my Master of Arts in Teaching: Secondary Education English/Language Arts (2012) from NEIU. In graduate school at NEIU, I shot a collaborative assignment for a film titled “Lipstick on the Mirror” using the former configuration of the radio station WZRD Chicago, 88.3 FM as a location. This article was written as part of my current Master’ s program in New Media Journalism with Professor Jeffrey Sharon at Full Sail University.

  • The History of Hip Hop with Emcee Monte

    The History of Hip Hop with Emcee Monte

    Welcome to the first-ever podcast for Poetry in Chicago (<-click here to hear it!) We are looking into the history of hip hop today, with Emcee Monte, who is also known as Monternez Rezell. In “Jammin’ with the Boombox, Volume 2: 50 Years of Hip Hop” he has created a poetic album that is rooted in Hip Hop culture, and funded by a grant from the city of Chicago’s Department of Cultural Affairs and Special Events, (commonly known as DCASE.) His journey into Hip Hop began at Kenwood Academy High School on Chicago’s Southside

    “The University of Hip Hop and my mentors. Lonnie Raven and Hector  really gave me the foundation of the culture, so not only was I practicing how to be a Beat boy or how to break dance or practicing rapping, or practicing graffiti, practicing rapping. I was really engulfed in the culture of hip hop and all of the elements, and learning the history, learning the importance of knowing my foundation and the founders of the culture, and being a part of the legacy of hip hop, and not just being on the side rapping and thinking “I’m gonna rap! I’m the best rapper!” But  being a part of the community as a whole, and contributing to Hip Hop culture. Not just participating in one thing. Not just being on the sidelines, but participating in the culture and passing it down to the next generation.  My mentors taught me, and now it is about being the best mentor I can be to the next generation” 

    – Emcee Monte

    Poetry in Chicago: Tell us something about the history of Hip Hop since you are so well versed on it. 

    “One of the things that you need to know is that hip hop started in New York City in the Bronx, DJ Kool Herc is credited with inventing the first break beat in that moment, in that year in 1973. When DJ Kool Herc revealed his merry go round technique, and that was the catalyst for the bridge to bring all of the elements of hip hop together. That creation of breakbeats sparked the moment and growth of  break dance and creating break dance to go with the break beats and those two things were the birth that inspired the growth with the hip hop culture. From there, you add the emcee, and the other elements. But now, hip hop culture has come to be more and more popular and become a force within the music industry. Now, as we know, it is one of the most popular styles of music in the world, rap and hip hop music has now surpassed rock music in being one of the most popular styles of music.”

    – Emcee Monte

    “Yes! Isn’t it fabulous? There are so many layers to it. And I love how it comes from the people, it is a shout out from the souls of the people. We really needed something from the people.”

    “It was counter culture when it started.”

         As you can see, Emcee Monte is a true artist, Southside born, and raised in the University of Hip Hop, who is struggling to make sense of the world, not a big-time star who is making money from a huge music conglomerate. This fact makes him accessible to people who will be able to relate to his fresh, innovative approach to hip hop music while being firmly rooted in its history. His poetic approach is rooted in the 5 branches of Hip Hop: Mcing, DJing, Breakdancing and knowledge all of which are rooted in one dynamic album that celebrates history and pushes the edge of the art form all at the same time. To find out more about Emcee Monte and the Movement Revolution Dance Crew, go to https://emceemonte.com/ Let’s give his music a listen.

  • S@nic Healing at Grapes and Grains with Jahari Stamps

    S@nic Healing at Grapes and Grains with Jahari Stamps

    by C. Schandelmeier

    Jahari Stamps (Photo by C. Schandelmeier, February 17, 2024)

    On a frigid, windy Saturday night in February, S@n!c Healing, heated up the stylish,  and exquisite venue at Grapes and Grains (also known as G&G) with an exuberant and exhilarating performance to a packed room of delighted guests. The band on the evening of February 17, 2024 was a talented trio consisting of Airius Reeves (saxophone), Hysien Govan, (piano and lead vocals) and Andrew Thomas (drums). Located at 858 West Lake Street, in the hot, happening area of the  West Loop, their repertoire was determined by the guests of the club whose song requests ranged from “I Would Die for You” by Prince to Taylor Swift’s “Love Story”, and Stevie Wonder’s “Superstition”  through Oasis’ “Wonderwall.”  Jahari Stamps, their talented lyricist and front man, normally performs with them, however, this evening, he said, “I just got done performing at the Willis Tower with the House Chi, I’m only here to watch my boys secure this room!” Because of his commitment, he arrived in time to support his band members. 

    Airius Reeves (saxophone), Andrew Thomas (drums) and Hysien Govan, (piano and lead vocals). (Photo by C. Schandelmeier, February 17, 2024).
    The band S@n!c Healing shouted out patrons celebrating their birthdays, including Julia, a tall brunette in a beautiful flowered dress. She and her crew added a liveliness and flair to the event.

    Jahari’s insightful and compelling song lyrics are what compelled this photo essay for Poetry in Chicago. In a sense, he did perform because he was there, at G & G, supporting his band, interacting with the crowd, taking photos, and dancing in his own unique and expressive style.  Jahari has reimagined life on earth through his interstellar lyrics, which include such titles as Intergalatic Soul Groove, and Moon Vibes. Jahari, is a true artist and poet whose work is tremendously newsworthy, however, his singing talent was not on display at G&G on Saturday night. Jahari is also a Superhero, because he has leaped over many obstacles (for example, drug addiction) on his path to becoming a popular performer in his own right. His song-writing is profound, and his showmanship is equally fascinating.

    Jahari Stamps, dances to the beat of the music at G&G where S@nic Healing performed on Saturday, February 17, 2024. (Photograph by C. Schandelmeier)

    Stamps began challenging traditional male stereotypes at a young age, as he started his artistic career as a dancer at a fine arts high school, and has gone on to become the singer and front man for his band, S@n!c Healing.

    Airius Reeves (saxophone), Jahari Stamps (center) Andrew Thomas (drums) delight in each other’s company during a brief intermission. (Photo by C. Schandelmeier, February 17, 2024).

    The unique way Stamps challenges gender norms,  his ability to turn a phrase, his political activism (he was an emcee for several events supporting Chicago’s new mayor, Brandon Johnson),  as well as his dancing all combine to liberate the spirit while supporting a new era of alternative music. As James Bennet and Niki Strange put it in their book Media Independence: Working with Freedom or Working for Free? “A key concept here is the relationship in everyday musical discourse, of independence as an institutional and organizational matter to more fundamental ideas of artistic freedom which are in turn related to the hugely complex and distorted notion of autonomy.”  Jahari’s artistic freedom is closely tied to his identity as a gay black man who does not need drugs to imagine a better world while supporting a candidate that is striving to make a difference (Brandon Johnson recently cast the deciding vote in the city of Chicago’s stand against the Isreali-Hamas war, for example)  through a complex and distorted system.

    Jahari Stamps dances with a customer at G&G on February 17, 2024. (Photo by C. Schandelmeier).

    These photographs from S@n!c Healing’s performance at G&G Saturday night are evidence of excellence in entertainment, service, and commUNITY. To reach Jahari Stamps or find out more about S@n!c Healing email: Jahari.stamps2015@gmail.com or follow the band on Instagram.

    Saxophonist, Airius Reeves performs for a member of the warmed up crowd.
    Piano player and lead vocalist Hysien Govan dons sunglasses for the performance “Superstitions” by Stevie Wonder. (Photo by C. Schandelmeier, February 17, 2024)
    Cecil from Grapes and Grains ensures the place runs like a well-oiled clock. (Photo by C. Schandelmeier, February 17, 2024)
    Charles said, “Thank you for coming! Have a nice evening!” G&G on Saturday, February 17, 2024.
    (Photo by C. Schandelmeier February 18, 2024)