Tag: #GuildLiteraryComplex

  • Andrea Changes Everything at the Guild Literary Complex

    Andrea Changes Everything at the Guild Literary Complex

    • https://chicagoliteraryhof.org/images/uploads/pdfs/2024_CLHOF_Induction_Ceremony.pdf

    As the cork popped out of the bottle, a diverse group of happy humans gathered at the Honeycomb Network on April 11, 2024, and cheered with jubilation. The successful launch of Nikki Patin’s new book Working on Me is a testament to the visionary and transformational leadership that The Guild Literary Complex is experiencing through the one and only Andrea Change.

    Executive Director Andrea Change brought a group representing the Guild’s diverse arts community out of the country to Bogota and Quibdó  in Colombia with financial support from The Poetry Foundation. In order to do this, Change initially worked with Christian Vasquez, a graduate student from Northwestern University, and cultivated a relationship with Velia Vidal an artist in El Chocó, Columbia.

    According to Founding Executive Director Michael Warr, (whose archives provided documentation), in 1993-1994, the Guild Literary Complex did an international exchange program with artists from the Goethe Institute in Berlin, Germany. According to Change, a group of poets representing the Guild Literary Complex also traveled to Norway when the Guild had former Executive Director John Rich at the helm. Nonetheless, through her work, Change is creating a legacy that sets the foundation for other black women in leadership roles, because never before has the Guild Literary Complex gone out of the country to work with people who have had such similar ancestral roots as they do in Quibdó, a city which is located in an isolated region of Columbia known as El Chocó. Change spoke in a March 9, 2024 interview with WZRD Chicago 88.3 FM;

    One of the reasons we were asked to come down there was because Quibdó is an underrepresented community. It’s mostly Afro-Latin, so instead of mostly white-facing Latin folks, this is the black-facing or people of color of Latin descent in that community. They really wanted us to bring folks who look like them to this community. So, all of the writers who are going are of Latin descent. They have brown skin, they have curly hair like me. It will extend the Guild’s mission to another part of the world, but it is still the Guild’s mission to be with underrepresented marginalized groups, and so, this is a city, but it is a small city, and it is a small community. But to be there, and be representing Spanish culture to people who look like us, or who look like me, is a privilege.”

    Born and raised in Chicago, Change has been active in the Chicago literary scene, specifically the poetry scene for over 30 years. She knows the sacrifice involved with being a single mother, and the hardships of being the lone head of household in the city. Change described her process to becoming executive director of the Guild Literary Complex where she began as a poet and audience member, then was a volunteer, and eventually, served as an officer on the board of the Guild Literary Complex. The Guild Complex initially began as a brick-and-mortar bookstore under the leadership of Founding Executive Director Michael Warr.

    According to Warr, the Guild Complex began as a bookstore, and had a reputation for being a gathering place for artistic souls that long encouraged cross-cultural collaboration. Warr is a former BBC reporter, published poet of WE ARE ALL THE BLACK BOY (1991 ), and Armageddon of Funk (2011), and both published by Tia Chucha Press and edited Of Poetry & Protest: From Emmett Till to Trayvon Martin, published by W. W. Norton & Company in 2016. While Warr has experience running the Guild Literary Complex as an executive director, talent agent, performance artist and poet Naiya Davis (aka Clou9aiya), whose Ted Talk Ouch…Did You Really Mean That? drives home the impact of microaggressions, is like Change, a black woman in leadership. During a June 29, 2024, interview with WZRD Chicago 88.3 FM, Davis said:

    “When some people find out I am a leader, they look at me funny.”

    According to a recent Pew Research report, women are behind men in holding leadership positions. However, if Change has had this issue, it doesn’t show. As Mary Hawley, who was part of the Colombia expedition with the Guild Literary Complex and is also a Palabra Pura volunteer, stated “Andrea is humble.” Professor of English Literature at City Colleges of Chicago, Lynn Fitzgerald discussed Change’s leadership at the Guild Literary Complex during a July 6, 2024, WZRD interview:

    “Andrea Change has been an instrumental cornerstone in the city of Chicago…she is also a woman of color, she is again, a woman! Women have to make their way in this world of art… Andrea has been instrumental in getting people out in the public eye and getting it known that these people have a voice, which is excellent…She takes more of a behind-the-scenes role, but I don’t think the Guild would be the Guild without her! She is so necessary, she is intuitive, and understands people very very well.”

    Change’s acute understanding of marginalized people came through during a March 9, 2024, interview when Change was at WZRD, a week before her historic leadership role in taking the Guild Literary Complex and its representatives on their international odyssey. She described the Guild Literary Complex, which is historically a grassroots organization known for collaborating with other community groups on social and restorative justice issues in the city of Chicago in this way:

    The Guild Literary Complex’s Executive Director, Andrea Change, networking after Patricia Smith was honored with the Fuller Award from the Chicago Literary Hall of Fame at the Poetry Foundation on July 11, 2024.

    “Grassroots is a nice stamp, but this year we just celebrated our 35th anniversary…grassroots just refers to how we operate in the sense that we like to stay in touch with the community, which is challenging, I’ll say because Chicago is a really big city!”

    Now, with Change, who is a gifted poet in her own right, as the Executive Director and support from the Poetry Foundation, the Guild is boldly stepping outside of location-specific arts programming to embrace national and international partnerships. The Guild provides arts and advocacy programming for marginalized voices, specifically black and brown people, including persons with disabilities, those who are incarcerated, and those identifying as LBGTQIA+. Terry Lonaric, poet, author, and journalist said,

    “I like the way the Guild partners with community organizations to raise issues of social justice. When the arts become a part of community life, they reach their true potential.”

    As Executive Director of the Guild Literary Complex, Andrea Change is helping diverse people reach their potential while creating pioneering and innovative forms of art. Historically, the Guild Literary Complex initiated the National Poetry Video Festival. It also was recognized by the 2022 New City “Lit 50” Awards under the leadership of Andrea Change. It has sponsored poets like Aviya Kushner, author of Wolf Lamb Bomb whose work was hailed as “noteworthy” by the New York Times in 2021. Change had been a long-time supporter of the Guild Literary Complex when she suddenly found herself cast into the role of volunteer at an event, according to Warr (who now lives in San Francisco) as he recalled in a podcast created from a virtual radio broadcast on May 5, 2024 with WZRD Chicago 88.3 FM.

    Founding Executive Director of the Guild Literary Complex, Michael Warr discussed the history of the Guild Literary Complex and how Andrea Change first became involved with the 501-3C not-for-profit organization founded in 1989.

    Susana Sandoval remembers when Andrea Change took the first step in her evolution from poet and audience member to volunteer. Susana, who, for the last seven years has been a human rights commissioner within the United Nations Permanent Forum on Indigenous Issues, is a journalist by training and was employed by the Guild Literary Complex as one of its two staff members, (along with Jen Abrams) under the leadership of Michael Warr in the mid-nineties.

    In a virtual interview on July 6, 2024 from Ecuador, she explained that the Guild Literary Complex was a meeting place not only for academics, but for young lovers. She pointed out how she met Kahil El’Zabar, her former husband, and the father of her children at Guild Literary Complex. She also noted that the Lansanas, (Quraysh Ali Lansana and his wife, the poet and community builder Emily Hooper Lansana) met at the Guild as well. The Guild Literary Complex by all accounts was a safe place where artists and academics of any cultural background could go and feel accepted. Andrea Change, a single mother of Phillip, (who is now grown and living with his fiancé in St. Louis) was among them.

    “But I don’t look my age!” laughs Change, “…This was one of those things where, and I tell this to people all of the time. ‘I am the executive director, but I like to say that I am sort of an accidental tourist. The work that I have done in the past was laying the foundation for the work that I do now.’”

    The Guild Literary Complex is perhaps most well known in the literary community for their annual Brooks Day event honoring renowned poet Gwendolyn Brooks. In 1950, Brooks became the first African American to win a Pulitzer Prize. In a fitting example of symmetry, Change noted how poet Tyehimba Jess, still claims the Brooks prize in his biography, although like Brooks, he has gone on to win a Pulitzer Prize for his 2016 book Olio.

    According to Change, this year the Guild will break from their usual tradition of celebrating Gwendolyn Brooks on June 7th, which is her birthday, instead celebrating Brooksday in October, 2024. The literary tradition of Brooksday is well documented, for example in this article by the Visualist.

    Validating the Guild Literary Complex and their decision to present their annual Brooksday event in October, Professor Fitzgerald noted,

    “October is Artists’ Month, and I remember working on Chicago Calling with Dan Godston and number of other people, we would have artists who were Zoomed in – this was before Zoom became some hot topic word – and we were connected on a stream in a Cafe or a Bar from other parts pf the world. So all of October was dedicated to artists. Galleries were just breaking apart at the seams with events! I don’t know if the Guild will resurrect some of that – they probably can because they have such international interactions with people. It is quite possible that they will. October will be a good month for the Gwendolyn Brooks event.”

    The Guild Literary Complex embraces the non-binary community through its Press Room Transvengence series, hosted by trans artist Joss Barton. Barton explained during an interview with WZRD on April 30, 2024 how her disco-drag performance at a social justice fair hosted by Exhibit B led to her eventually being recruited by Change to host the series:

    “I did this piece…performing disco-drag numbers in between spoken word for the Social Justice Fair – so when Andrea, the Executive Director of the Guild Literary Complex – was in the audience and she saw me do that body of work, she really really enjoyed it! She introduced herself to me after the show, and kind of just pitched the idea of doing something for trans writers with the Guild, and wanted to see if I had any ideas. So, I said ‘Let me think about it.’ So I pitched her the idea of Transvengence.” Barton continued, “Our art can be vengeance. You can take away our rights, but you can’t take away our stories.”

    She flashed her dark eyes, flipped her hair, and stood strong in her identity as a trans woman, artist, and storyteller.

    Joss Barton prepares to leave WZRD after her interview in April. (Photo by C. Schandelmeier)
    Andrea Change introduces Transvengence featuring the work of Joss Barton, Jack, and Lynzo Heartthrob on June 18, 2024. (Photograph and videography by C. Schandelmeier)

    Stories are what make the Guild Literary Complex come alive, as shown in the event they co-created as a safe space held near the AWP (Association of Writers & Writing Programs) at their February 2024 conference in Kansas City titled “Poetry for the People” which was free and co-sponsored by the Black Archives of Mid-America (Kansas City), Cave Canem (New York) and Exhibit B: A Literary Variety Show. It featured some of the best black and brown writers in the country, for example Patricia Smith, and Quraysh Ali Lansana.

    Change worked with Lansana to promote his 2024 book, Killing the Negative: Poetic Interventions, which he created with artist Joel Daniel Phillips. She explained how Phillips reached out to Lansana after he had discovered the depression-era film negatives of people archived at the Library of Congress with a single hole punched in each that was a destructive act known as “killing the negative” which served as the inspiration for the book. Such innovation through the lens of diversity is not new to Change. In the same interview, Change commented:

    “Because of the nature of what we’ve done, we’ve had a strong connection to the poetry community, the African-American community, and other groups. Interestingly enough, we have always had a person of color either in a leadership role or on our board. We have always had someone who represented the LGBTQ community on our board, and someone of Latin descent on our board. It’s been a part of who we are. It is strange when I hear about people’s other boards…for me, it was always the norm to have a culturally diverse group of people who I have worked with.”

    Change brought transformation to the Guild Literary Complex through the Guild’s recent trip to Bogota and Quibdó, Colombia where they worked with MoTeTe. Change and other members of the Guild Literary Complex such as Mary Hawley (Palabra Pura volunteer and translator) and Hawley’s husband, poet Mike Puican (former board president for the Guild Literary Complex) traveled with a delegation of Spanish speaking black and brown writers (thanks to a grant provided by the Poetry Foundation) in order to interact with their South American artistic peers.

    Poet Elizabeth Marino, author of Debris and poet Shontay Luna author of Reflections of a Project Girl, both participated in the One Poet: One Poem event held July 17. 2024 by the Guild Literary Complex’s Palabra Pura series hosted by Gregorio Gomez at a Bruquena. 2726 W Division St, Chicago, IL. (Photo by C. Schandelmeier)

    The Guild Literary Complex representatives did this all while writing, learning, and exploring an environment which echoed their own diversity and linguistic roots. The group of American artists, led by Change, included Kianny N. Antigua and Luis Tubens among others. Followed by a documentary crew, this was the first international experience for The Guild Literary Complex. The release of the documentary based on this epic journey is slated for October, 2024.

    True to their mission of giving voice to the marginalized, Change returned from South America and immediately jumped into many other projects. Examples include Applied Words on April 7th, the April 11, 2024 release of Nikki Patin’s new book, Working on Meand an event in defense of Palestine with Exhibit B called Poets for Palestine featuring poets and heavy-hitting writers Linda Abdullah, IS Jones, Amina Kayani, Oliver Khan, Sahar Mustafah and Alex Wells Shapiro, and much more.

    Poet Mary Hawley is the translator and long-time volunteer of the Guild Literary Complex’s Palabra Pura series who joined the Guild Literary Complex on their epic adventure to Colombia. Hawley spoke to WZRD Chicago 88.3 FM in an April 27, 2024 interview about the once-in-a-lifetime experience after the journey. She explained how , Vásquez (originally from Colombia) became involved with The Guild Literary Complex, and then introduced Vidal to the organization when she participated in a virtual reading for Palabra Pura during the COVID-19 lockdown.

    Because of this professional association through the spoken word, the group went to an annual literary festival in a region of Colombia called El Choco’. The festival, which has officially been in existence for 7 years, is known as FLECHO (so-called because of its initials) and was created thanks to the leadership of Velia Vidal. As Hawley explained,

    “When they were organizing this year’s festival, Andrea Change, who is the Executive Director of the Guild Complex, was able to get grant money to send an international delegation of poets from Chicago and the US to this literary festival in El Choco’ with a particular focus on the African diaspora. So our group included Kianny Antigua, who is a poet, novelist, and translator from the Dominican Republic. She teaches at Dartmouth. Luis Tubens otherwise known as ‘Loco Lu’ from Puerto Rico who is here from Logan Square and a few other participants who went with us. We were there for a week.”

    James Stewart III, the President of the Board at The Guild spoke to WZRD Chicago 88.3 FM on July 20, 2024 about Exhibit B, the literary variety show he co-founded. He explained how they had reached out to Andrea Change for support through the Guild Literary Complex. Change welcomed Exhibit B and their innovative ideas (Exhibit B members came together as recent graduates of the Master of Fine Arts program at the School of the Art Institute). He noted that while the Guild pays a hundred dollars per gig at the most, it is more than the average because most people seem to think that artists can live off nothing. Change knows better than this.

    True to her name, Change is concerned about preparing the next generation of leadership to take over the Guild Literary Complex, which continues to develop deep meaningful connections within a historically marginalized community. The fact that Change has had health issues increases the urgency of this work. Change is at the cutting edge of creating a difference in the world for all people. If only the rest of the world could pivot into this type of change. To find out more about the Guild Literary Complex go to: GuildComplex.org.

    To connect with more like-minded people who support the role of literary women leaders like Andrea Change, visit the Facebook page:

    Literary Women Leaders

  • Poetry to Free Gaza

    Poetry to Free Gaza

    Free Gaza is one of the many signs on the campus of Northwestern University in Evanston on April 30th, 2024.

    Poets for Palestine

    Protests, teach-ins, encampments and poetry readings, the people of Chicago – and the world – are doing everything they can to create change for Gaza. There is little that is more complex or harrowing than what is happening between Israel and Palestine right now, and poetry is a concise means to convey complex emotions. On Saturday, May 11th, at Co-Prosperity, 3219 S. Morgan, there was a poetry reading hosted by Exhibit B and the Guild Literary Complex titled Poets for Palestine which featured four heavy hitters in the world of poetry, Linda Abdullah, Oliver Khan, Safar Mustafah, Amina Kayani, Alex Wells Shapiro and IS Jones.  All of these world-class poets contributed poetry performances with the goal of helping the Palestine Children’s Relief Fund provide essential aid to the war-torn region. The poets were grateful that college students (beginning with those at Columbia University in New York, and ending with the encampment at DePaul University here in Chicago) have stood up and made themselves heard across the world for the cause of peace in Palestine.

    Protests and Encampments

    During a protest for Palestine that was held on Sunday, May 19th, Anatasia Colon, a DePaul University student spoke about the encampment, “It was 5:34 in the morning when we got word that the police were coming to disperse the camp. They didn’t wake us, we woke ourselves up, and got out of there on our own.” As she spoke, representatives from a number of Chicago-based organizations including Chicago Alliance Against Racist and Political Repression and Cultural workers for Palestine stood in peaceful protest on the premises of the 19th District Near North Chicago Police Department. 

    Poetry for Palestine is inspired Internationally

    The issue of the Isreali-Palestine conflict has had international impact. Halima Zakhir was raised in America, but has made the choice to raise her own family in India. Her poem is pictured here from her Instagram account with permission. She wrote, “I do not have enough words for this genocide… We have waited so long for this tragedy to catch up with the rest of the world.  It has certainly taken too many lives and too long of a time to bring notice, but nevertheless, every revolution starts somewhere.” 

    Zakhir continued, “Hopefully, through the raw emotion of poetry, more people are made aware of the cause. What I wish for is my poetry, my art to stoke a passion in the outside world that will call for supreme justice. Because what no man can achieve through sheer talk, anyone can achieve anything through the force of art, be it poetry or paint or photography.”

    A Chicago poet and activist, Alexis Judeh is half Palestinian and half Mexican. She was raised in large part by her Palestinian Grandfather, a larger than life character who brought a love of Palestine to America with him, and shared that love with his grandchildren. While he has passed on, Juneh remembers him fondly, and honors his memory through the art she creates with her sister, Yolanda, who helped her write the following poem.

    Gladiators in Keffiyehs
    From Monterrey and Betunia soil
    Birthed children of die-aspra
    Madre from Palestine
    We the products of colonial uprooting
    Our seas polluted with killing machines
    The dead sea is a burial ground
    Identities bruised by displacement
    Pain engraved in our blood cells
    There are no welcome mats at U.S. doors

    Bandannas and Keffiyeh wrapped around our face
    Mexican and Palestinian flags wrapped around our chest
    Living flesh with stories inherited through blood
    Lineages of resistance that slip through tongue

    So we protest
    Command the capital to listen
    We’re here to stop U.S. dollars from blowing our home towns to dust
    Sick of seeing things from a distance
    Rusted metal standing on sacred ground
    Covering gold and open sky domes
    We’re just traveling prisoners
    Exiled from the fruit of our labors
    We hear the cries of our ancestors calling
    So we answer
    We are gladiators in Keffiyeahs
    We’re here to dance dabka on the throats of our oppressors
    Zapateado on their colonial graves

    Empires have expiration dates too
    We are protectors like David
    Stone in hand
    And even then
    They want us to build bridges
    Build bridges?
    Nahhhh we tearing down walls
    From Palestine to Mexico border walls have got to go

    We look this country in the eyes and America
    Medusa’s us to stone
    This is what happens when you tell a murderous
    Nation that
    Their 50 states are 50 snakes
    Our voices submerged in cement
    Our mouths made rock
    When all you are limestone
    You have no choice but to watch wreckage
    Through frozen pupils
    You don’t know how hard it is to watch
    When soil you stand on supplies the ammo for our for our country’s annihilation

    Millions of billions of dollars
    And rubble turns into oblivion
    400 Palestinian towns erased
    Our catastrophic displacement
    Maps redrawn in their favor
    And countless bloodshed later
    Still liberation seems so far
    How many intifadas will it take?
    Children branded from rubber bullets
    That read Pennsylvania
    Their lifeless bodies on grounds our ancestors cultivated
    Olive trees waters with our own blood
    Forced removal
    Suffocating living cargo

    We hear the cries of our ancestors calling
    So we answer
    We are gladiators in Keffiyehs
    Our loyalty lies with unseen soil
    Keepers of untasted fruit
    We bare the courage of our ancestors
    Carry it on our skin
    We know we are more than your oppression,
    Checkpoints and walls
    We exist outside of your lens
    We are the culture you desire
    If not, you wouldn’t have stolen it
    But there are things apartheid cannot eradicate
    We are living proof.

    There have been demands for disinvestment and plans for peace, but with little food and constant bombardment, the remaining people of Palestine are barely surviving. Macklemore is one rapper to address the issue in his new song Hinds Hall. He also read a poem for Gaza at a recent concert, but that’s just the tip of the iceberg. Poets are stepping up and showing out to make the voiceless people of Palestine be known. For example, Gregorio Gomez, who has no biological connection to Palestine, composed a poem titled Words of Defiance which he performed in March at Tangible Books, hosted by Vittorio Carli. One does not need to be Palestinian to understand the very real human toll of what is happening in Gaza.

    Poet Gregorio Gomez performs Words of Defiance at Tangible Books in Bridgeport, March 2, 2024. Shot by TJ

    To find out more directly from the Palestinans themselves, look for Judeh’s friend, Fadel in Gaza. He keeps the world updated through his Instagram account at fadelmoghrabi. Meanwhile, in Chicago and throughout the world poets are working to enlighten curious minds about what is happening in Palestine.  Look for Alexis Judeh’s next poetry reading with the Beach Poets on June 16th at 1:30 pm, at Loyola Beach, or look for Poetry to Free Gaza’s Facebook Fan Page.

  • The Guild Literary Complex Releases Working on Me  by Nikki Patin

    The Guild Literary Complex Releases Working on Me by Nikki Patin

    Nikki Patin released her book on April 11, 2024 at the Honeycomb Network and the help of the Guild Literary Complex, and Andrea Change.

     

    The Honeycomb Network was buzzing with activity and an aura of excitement as the book release party got underway for Working on Me by Nikki Patin at 2659 W. Diversey in Chicago on April 11, 2024. The book was honored with an official release party organized by The Guild Literary Complex under the leadership of Andrea Change. Change, being true to her name, has taken The Guild Literary Complex from being a small, grassroots literary organization dedicated to social and restorative justice for black and brown people through performance events to being renowned both nationally and internationally, with a recent trip to create art  with a like-minded community in Quibdó, Colombia, South America.  The Guild Literary Complex worked with author Nikki Patin to have her first book, Working on Me, a memoir in the genre of creative non-fiction released during sexual assault awareness month. Published by Vine Leaves Press in Greece, this dramatic memoir deals with sexual violence issues head on, and pulls no punches as it grapples with three generations of the same family through unique voices and strong writing.

    According to Andrea Change, “Nikki’s work as an advocate for sexual assault awareness works because she is a survivor and her background as a literary artist combined with her emotional intelligence creates a safe space for the other survivors in her circle.”

    A 45 year old single, queer mother, Patin is courageously creative. She has written this book from the depths of her soul, providing details behind family stories and building them up with resonate details, as only an accomplished writer can do. Her dedication to innovation and revolution that bucks the patriarchy and rebukes the mainstream can be seen in her decision to promote the book using a series of music videos with narration from the book as inspiration. 

    Her first video, Brick can be found on Youtube. It is clearly the work of an artist dedicated to thoughtful reflection on difficult topics. Brick uses strong visual imagery at its core, the music video really makes the work come alive in Patin’s world, where fragments of the brick fly back to it, recreating its original form. Her unique editing skills are a sleight of hand that renders a magical place where bricks can restore themselves after injury.  Of course, the analogy belies the fact that bricks cannot restore themselves, though human beings are capable of healing at a fundamental level, trauma undoubtedly causes them to change.

    As Patin said in an April 20, 2024 interview at Woman Made Gallery, located at 1332 S. Halsted in Chicago, “I like to co-power with people. I don’t like to empower people. I believe that people are already powerful, and I’d just like to recognize that. I do what I can to help people in bringing out their own personal power.”

    Patin has not been granted the same solicitude in her life where she endured unimaginable horrors as the victim of sexual violence. As a result, Patin has spoken with the United Nations about the impact of rape on black and brown women in the United States, performed on HBO’s Def Poetry Jam, and advocated for the rights of residents in Englewood through her work with RAGE. To find out more about Nikki Patin and her book, visit her web site www.NikkiPatin.org