Category: Poets

  • Poetry to Free Gaza

    Poetry to Free Gaza

    Free Gaza is one of the many signs on the campus of Northwestern University in Evanston on April 30th, 2024.

    Poets for Palestine

    Protests, teach-ins, encampments and poetry readings, the people of Chicago – and the world – are doing everything they can to create change for Gaza. There is little that is more complex or harrowing than what is happening between Israel and Palestine right now, and poetry is a concise means to convey complex emotions. On Saturday, May 11th, at Co-Prosperity, 3219 S. Morgan, there was a poetry reading hosted by Exhibit B and the Guild Literary Complex titled Poets for Palestine which featured four heavy hitters in the world of poetry, Linda Abdullah, Oliver Khan, Safar Mustafah, Amina Kayani, Alex Wells Shapiro and IS Jones.  All of these world-class poets contributed poetry performances with the goal of helping the Palestine Children’s Relief Fund provide essential aid to the war-torn region. The poets were grateful that college students (beginning with those at Columbia University in New York, and ending with the encampment at DePaul University here in Chicago) have stood up and made themselves heard across the world for the cause of peace in Palestine.

    Protests and Encampments

    During a protest for Palestine that was held on Sunday, May 19th, Anatasia Colon, a DePaul University student spoke about the encampment, “It was 5:34 in the morning when we got word that the police were coming to disperse the camp. They didn’t wake us, we woke ourselves up, and got out of there on our own.” As she spoke, representatives from a number of Chicago-based organizations including Chicago Alliance Against Racist and Political Repression and Cultural workers for Palestine stood in peaceful protest on the premises of the 19th District Near North Chicago Police Department. 

    Poetry for Palestine is inspired Internationally

    The issue of the Isreali-Palestine conflict has had international impact. Halima Zakhir was raised in America, but has made the choice to raise her own family in India. Her poem is pictured here from her Instagram account with permission. She wrote, “I do not have enough words for this genocide… We have waited so long for this tragedy to catch up with the rest of the world.  It has certainly taken too many lives and too long of a time to bring notice, but nevertheless, every revolution starts somewhere.” 

    Zakhir continued, “Hopefully, through the raw emotion of poetry, more people are made aware of the cause. What I wish for is my poetry, my art to stoke a passion in the outside world that will call for supreme justice. Because what no man can achieve through sheer talk, anyone can achieve anything through the force of art, be it poetry or paint or photography.”

    A Chicago poet and activist, Alexis Judeh is half Palestinian and half Mexican. She was raised in large part by her Palestinian Grandfather, a larger than life character who brought a love of Palestine to America with him, and shared that love with his grandchildren. While he has passed on, Juneh remembers him fondly, and honors his memory through the art she creates with her sister, Yolanda, who helped her write the following poem.

    Gladiators in Keffiyehs
    From Monterrey and Betunia soil
    Birthed children of die-aspra
    Madre from Palestine
    We the products of colonial uprooting
    Our seas polluted with killing machines
    The dead sea is a burial ground
    Identities bruised by displacement
    Pain engraved in our blood cells
    There are no welcome mats at U.S. doors

    Bandannas and Keffiyeh wrapped around our face
    Mexican and Palestinian flags wrapped around our chest
    Living flesh with stories inherited through blood
    Lineages of resistance that slip through tongue

    So we protest
    Command the capital to listen
    We’re here to stop U.S. dollars from blowing our home towns to dust
    Sick of seeing things from a distance
    Rusted metal standing on sacred ground
    Covering gold and open sky domes
    We’re just traveling prisoners
    Exiled from the fruit of our labors
    We hear the cries of our ancestors calling
    So we answer
    We are gladiators in Keffiyeahs
    We’re here to dance dabka on the throats of our oppressors
    Zapateado on their colonial graves

    Empires have expiration dates too
    We are protectors like David
    Stone in hand
    And even then
    They want us to build bridges
    Build bridges?
    Nahhhh we tearing down walls
    From Palestine to Mexico border walls have got to go

    We look this country in the eyes and America
    Medusa’s us to stone
    This is what happens when you tell a murderous
    Nation that
    Their 50 states are 50 snakes
    Our voices submerged in cement
    Our mouths made rock
    When all you are limestone
    You have no choice but to watch wreckage
    Through frozen pupils
    You don’t know how hard it is to watch
    When soil you stand on supplies the ammo for our for our country’s annihilation

    Millions of billions of dollars
    And rubble turns into oblivion
    400 Palestinian towns erased
    Our catastrophic displacement
    Maps redrawn in their favor
    And countless bloodshed later
    Still liberation seems so far
    How many intifadas will it take?
    Children branded from rubber bullets
    That read Pennsylvania
    Their lifeless bodies on grounds our ancestors cultivated
    Olive trees waters with our own blood
    Forced removal
    Suffocating living cargo

    We hear the cries of our ancestors calling
    So we answer
    We are gladiators in Keffiyehs
    Our loyalty lies with unseen soil
    Keepers of untasted fruit
    We bare the courage of our ancestors
    Carry it on our skin
    We know we are more than your oppression,
    Checkpoints and walls
    We exist outside of your lens
    We are the culture you desire
    If not, you wouldn’t have stolen it
    But there are things apartheid cannot eradicate
    We are living proof.

    There have been demands for disinvestment and plans for peace, but with little food and constant bombardment, the remaining people of Palestine are barely surviving. Macklemore is one rapper to address the issue in his new song Hinds Hall. He also read a poem for Gaza at a recent concert, but that’s just the tip of the iceberg. Poets are stepping up and showing out to make the voiceless people of Palestine be known. For example, Gregorio Gomez, who has no biological connection to Palestine, composed a poem titled Words of Defiance which he performed in March at Tangible Books, hosted by Vittorio Carli. One does not need to be Palestinian to understand the very real human toll of what is happening in Gaza.

    Poet Gregorio Gomez performs Words of Defiance at Tangible Books in Bridgeport, March 2, 2024. Shot by TJ

    To find out more directly from the Palestinans themselves, look for Judeh’s friend, Fadel in Gaza. He keeps the world updated through his Instagram account at fadelmoghrabi. Meanwhile, in Chicago and throughout the world poets are working to enlighten curious minds about what is happening in Palestine.  Look for Alexis Judeh’s next poetry reading with the Beach Poets on June 16th at 1:30 pm, at Loyola Beach, or look for Poetry to Free Gaza’s Facebook Fan Page.

  • WZRD Chicago Celebrates 50 Years of Freeform Radio

    WZRD Chicago Celebrates 50 Years of Freeform Radio

    Wizards have been Broadcasting since 1974

    WZRD Chicago 88.3 FM, a college radio station sponsored by Northeastern Illinois University celebrated their 50th anniversary at Martyr’s 3855 N. Lincoln on Saturday, May 4, 2024. (WZRD 50th anniversary cake photo courtesy of Meaghan Panici, all other video shot by C. Schandelmeier)

    While they cannot be seen due to their cloaks of invisibility on the airwaves of sound, the Wizards at WZRD Chicago 88.3 FM are all around, providing innovative programming, public service, and genres of music as diverse as this great big wild and wonderful world. The 50th anniversary party was a celebration of WZRD, a freeform radio station housed at Northeastern Illinois University. This memorable event was run by volunteers as curated by Meagan Panici. WZRD is a college radio station that was founded in 1974 by a group of community minded college students with a focus on creating a collective spirit where egos are left at the door as each disc jockey drops their individual identity and becomes known only as a “wizard.” 

    WZRD has a broadcast range of about 10 miles in a densely populated area, and also streams live online. In the spirit of freeform, which requires each DJ play at least six genres in a three hour slot, four very different bands who had previously performed at WZRD for the regular series Thursday Night Live (run by technical engineers Alejandro Aguilar and Rick Martin, who also was the first-ever station manager of WZRD) were represented at the event: Cosmic Bull, with a genre critics have called “Disco Americana,” Silver Abuse, who were on the cutting edge of the punk movement in Chicago, Sons of Ra, with avant-jazz fusion, and Charlie Otto + His Gear with electronic progressive rock and dance music. The event was held at Martyrs, 3855 North Lincoln Avenue on Saturday, May 4th, and had free entry. The force of the power of music was with the Wizards who jammed most righteously in celebration of the 50th anniversary.

    Karen Wehrle, a former wizard herself, introduced the event,

    “In the late 1970’s when I was a teenager, my friends and I would listen to WZRD especially Sunday Morning Nightmare with Terry Nelson. Teenage Party with little Dougie Brown and Tan Tea Time with Craig Schmidt were all DJs who influenced my world of music. They gave me so much knowledge of music that still stays with me now. My friends and I would record songs off the radio on our cassette tapes…”

    The genius behind the event is Meagan Panici, who was recently nominated for the Chicago Reader’s “Best Radio DJ” Award  and was thrilled when she came in hot on the heels of WXRT’s legendary Terry Hemmert. When asked about her involvement with WZRD’s 50th anniversary bash, Panici responded,

     “I booked the venue, the four bands, promoted the show, hired a designer to make the poster, put together a slideshow with the help of Terry Nelson, Amy Buscemi and Karen W (Wehrle, who was a wizard in the late 1970’s) which played between bands – I hired the food truck and helped shape their menu….”

    “…Terry gave me a bunch of CDs with station IDs and songs from those artists and I digitized them for our house music. I got a cake and helped with acquiring the merch. Set up the live stream like 5 days before. It was quite an effort! I’ve never done all the aspects of a show before. I’m really proud of myself.”

    Panici is justifiably proud to be such a hard working member of this community station, which is run entirely by volunteers under the guidance of media coordinator Dennis Sagel. Sagel, whose humble demeanor hides a very firm handshake, provides a disciplined work ethic that helps WZRD set the standard for other local university radio stations. 

    According to Cosmic Bull’s Mark Vickery, “WZRD changed the trajectory of Cosmic Bull for the better. When we had only a few gigs under our belt, Meagan brought us in for Thursday Night Live, and that performance was so good I knew I had to get this band in the studio. And here we are today with a full recorded LP!”

    Other features of the event were Grossett’s Irie Jerk Mobile Food Truck with Jamaican cuisine, Lindsey Michelle Taich, an artist who was painting while the concert blossomed all around her, and handmade beaded earrings made by Mayan women in Guatemala and sold by Jonathan Villacres of Yoga on the Beach. Round Trip Records was represented with real vinyl, and WZRD had a booth where commemorative t-shirts, stickers, and other swag were for sale. The real spine of the event was all the wizards – past and present – who attended with unbridled enthusiasm and support. 


    Another Thursday Night Live favorite, Charlie Otto + His Gear closed out the night with a dance party. According to Panici,

    “Charlie used to be in a Talking Heads cover band that I was the promoter for. He started his career in the music biz at Martyr’s at a bartender and the owner Ray (behind the soundbooth) helped (him) get a custom made guitar from Adrian Belew’s people. He also met his wife working there.”

    Otto fit right in with the wizard theme as he has an eye on the future while performing electronic progressive rock and dance music. Another 50th anniversary event is in the works, according to Panici, with some “big names” being interested in performing. Listen Live to what other wonders from the wizards await their listeners at https://wzrdchicago.org.

    A Wizard Revealed

    In the name of full disclosure, this article has been written by a wizard who has been working as a volunteer DJ at the radio station since 2011, and has had over a thousand interviews. In that time, I have had over a thousand interviews from homeless people to future judges from theatre directors to musicians, and everyone in between. I felt called to become a wizard because of my best friend, Effie Mihopolous, another wizard who was also a double alumni of NEIU. (Mihopoulos is most famous as a critic, poet and the publisher of both Salome Dance Magazine and Ommation Press, which published Cornelius Eady’s “Victims of the Latest Dance Craze” and won the Lamont Prize in 1985. This made history because it was the first time such a small, independent press had won The Lamont Prize, which is a very prestigious award in the world of poetry. It is akin to the Academy Award of the poetry world). Mihopolous passed away from breast cancer in 2010. Prior to that, I had breastfed my first son, Vincent, at the radio station as a guest for a show at WZRD with the theme of “What Matters.” I have both my Bachelor of Arts in Theatre (1989) and my Master of Arts in Teaching: Secondary Education English/Language Arts (2012) from NEIU. In graduate school at NEIU, I shot a collaborative assignment for a film titled “Lipstick on the Mirror” using the former configuration of the radio station WZRD Chicago, 88.3 FM as a location. This article was written as part of my current Master’ s program in New Media Journalism with Professor Jeffrey Sharon at Full Sail University.

  • Two Trans: Two Spirits Stopping Trans Genocide

    Two Trans: Two Spirits Stopping Trans Genocide

    Two Trans: Two Spirits Stopping Trans Genocide

    Charli Christine Marker and Criage Lynette Althage

    Two trans women with one big problem to solve while poet and filmmaker Charli Christine Marker’s approach is very different from Criage Lynette Althage’s, who is a university librarian. They both dream of the same result.

    Captivated by those who represented extremes Chicago-based poet and filmmaker Charli Christine Marker admitted one of her first sheroes was a plus-size model from  the 2000 Guinness World Book of Records, Teighlor, who weighed in at 718 pounds, made her the world’s heaviest supermodel. Now, Marker is a film director who is using her own size to create trans joy. This joy is a wonder to behold as a friendship blossomed between Criage Althage and Charli Marker during an interview at WZRD Chicago 88.3 FM where they unpacked the heavy topic of transphobia. Althage, a reference librarian for professorial research at the Ronald Williams Library at Northeastern Illinois University has a more serious perspective that supports her identity as a trans woman living in Englewood, one of the most violent and underfunded neighborhoods in Chicago.  

    While Althage is participating in outreach and marches with Stop Trans Genocide, Marker is making feature films that celebrate her individuality as a trans woman. Both acknowledge their privilege as white people who do not have to deal with the same racial bias and bigotry as their black sisters in the trans community , hence Althage’s advocacy for Brave Space Alliance.  According to a June 28, 2022 Pew Research Report, “Most Americans favor protecting trans people from discrimination, but fewer support policies related to medical care for gender transitions; many are uneasy with the pace of change on trans issues… Roughly eight-in-ten U.S. adults say there is at least some discrimination against transgender people in our society.”  This discrimination is rampant in places like Northwestern hospital where Marker sought medical treatment. 

    At the hospital, Marker was faced with bigotry and hatred when she expected compassionate care.  

    “My pain was so bad that it led to extreme autistic meltdowns, which caused cops to restrain me, threaten to arrest me, and joke about me being anally raped in prison. This is how intersectional violence works, where transphobia doesn’t reach a fever pitch until it mixes with ableism and fatphobia in me, or race and immigration status in the other.” 

    Marker was able to survive the episode, however, it left her with an indelible scar of distrust and fear of the police, whom she refers to as ACAB (as in All Cops Are Bas—-). 

    According to Criage Lynette Althage, the intersectionality of race, socioeconomic status, and gender identity impacts her experiences with transphobia because “It sadly causes divisions between communities of privilege and those who are marginalized with trust being a barrier for trans communities of color. I think we are constantly working towards merging our collective interests with those of Black and brown communities…”

    Yet, it is bullying that causes gender non-conforming youth to withdraw from school or even commit suicide. Notable cases such as those of Matthew Shepard and Fred Martinez, who were murdered for their gender identity, are the ultimate manifestation of a gender binary culture where there is literally no room (neither bathrooms or locker rooms, in Florida for example) for someone who presents differently. Martinez’s identity as a young Navajo who was beloved by their own community, but despised by those in mainstream culture was explored in the film Two Spirits by Lidya Nibley. Nibley aptly points out how integrated genders are sacred in cultures such as the Navajo. 

    The radical division of gender into a binary of male or female leads to hatred of those who present outside of the status quo, which causes fear and bullying. Native Americans like the Navajo believe in embracing those who have integrated gender identities. The Navajo have at least four words for various gender identities in their language with a legacy focused on honoring everyone’s individual spirit and humanity. 

    Meanwhile, Charli Christine Marker, and Criage Lynette Althage are working on creating their own legacies of standing up for the underdog. Althage does this through activism, and Marker does it through writing poetry and expressing herself in filmmaking. Marker’s next feature film is titled Racine Grace about filmmaker Khloe Gwen from Los Angeles. Racine Grace will premiere on June 10, 2024, at Sweet Void Cinema at 3036 W Chicago Ave 1W, Chicago IL 60622. The free event features free soft drinks, and is mask-mandatory. Find out more about her work by going to her all my links page at https://allmylinks.com/cookierill. Althage can be found working behind the counter at the Ronald Williams Library on the campus of Northeastern Illinois University on days when Northeastern Illinois University is in session.

    Here is a recent poem by Charli Christine Marker, used with permission of the author:

    On Feedist Dysmorphia

    I know a girl whose father wrote for The Simpsons. He wrote the best episode.

    The Best Episode of the Best Show.

    But when I got around to watching it, and observed Homer supposedly comically getting fatter for Disability, it felt like an insult to the beauty of all those I love.

    It made me want to die.

    Four days ago, the girl whose father wrote the episode posted a selfie, four years and over 200 pounds in the making. She was over 60 pounds more than Homer was when he was immobile in the episode, but she was standing upright and happy with a gallon of whole milk in her hand.It was the most beautiful image I’d ever seen in my life. But when I showed my aunt the picture, she was insulted by how it treated the beauty and brilliance and productivity of the niece she loved.

    It made me want to die.

    I am an autobiographical filmmaker, whose work aims to be somewhere between the Simpsons and that selfie. I’ve had friends tell me that they like my work more than The Simpsons even, but I am currently sitting in a 

    Padded Cell

    Because of how I wish I could be an artist like the Girl in the Picture.

    Pacing endlessly and worrying every step about the calories they are burning.

    Charli Christine Marker, 2024

    Charli Christine Marker is a poet and filmmaker with a new feature film titled “Racine Grace” about filmmaker Khloe Green which is being released on June 10, 2024.

  • The Guild Literary Complex Releases Working on Me  by Nikki Patin

    The Guild Literary Complex Releases Working on Me by Nikki Patin

    Nikki Patin released her book on April 11, 2024 at the Honeycomb Network and the help of the Guild Literary Complex, and Andrea Change.

     

    The Honeycomb Network was buzzing with activity and an aura of excitement as the book release party got underway for Working on Me by Nikki Patin at 2659 W. Diversey in Chicago on April 11, 2024. The book was honored with an official release party organized by The Guild Literary Complex under the leadership of Andrea Change. Change, being true to her name, has taken The Guild Literary Complex from being a small, grassroots literary organization dedicated to social and restorative justice for black and brown people through performance events to being renowned both nationally and internationally, with a recent trip to create art  with a like-minded community in Quibdó, Colombia, South America.  The Guild Literary Complex worked with author Nikki Patin to have her first book, Working on Me, a memoir in the genre of creative non-fiction released during sexual assault awareness month. Published by Vine Leaves Press in Greece, this dramatic memoir deals with sexual violence issues head on, and pulls no punches as it grapples with three generations of the same family through unique voices and strong writing.

    According to Andrea Change, “Nikki’s work as an advocate for sexual assault awareness works because she is a survivor and her background as a literary artist combined with her emotional intelligence creates a safe space for the other survivors in her circle.”

    A 45 year old single, queer mother, Patin is courageously creative. She has written this book from the depths of her soul, providing details behind family stories and building them up with resonate details, as only an accomplished writer can do. Her dedication to innovation and revolution that bucks the patriarchy and rebukes the mainstream can be seen in her decision to promote the book using a series of music videos with narration from the book as inspiration. 

    Her first video, Brick can be found on Youtube. It is clearly the work of an artist dedicated to thoughtful reflection on difficult topics. Brick uses strong visual imagery at its core, the music video really makes the work come alive in Patin’s world, where fragments of the brick fly back to it, recreating its original form. Her unique editing skills are a sleight of hand that renders a magical place where bricks can restore themselves after injury.  Of course, the analogy belies the fact that bricks cannot restore themselves, though human beings are capable of healing at a fundamental level, trauma undoubtedly causes them to change.

    As Patin said in an April 20, 2024 interview at Woman Made Gallery, located at 1332 S. Halsted in Chicago, “I like to co-power with people. I don’t like to empower people. I believe that people are already powerful, and I’d just like to recognize that. I do what I can to help people in bringing out their own personal power.”

    Patin has not been granted the same solicitude in her life where she endured unimaginable horrors as the victim of sexual violence. As a result, Patin has spoken with the United Nations about the impact of rape on black and brown women in the United States, performed on HBO’s Def Poetry Jam, and advocated for the rights of residents in Englewood through her work with RAGE. To find out more about Nikki Patin and her book, visit her web site www.NikkiPatin.org

  • Poetry, Prison and CommUNITY

    Poetry, Prison and CommUNITY

    Poetry fills the gap in our souls that is left by our need for connection and beauty as human beings. Prison widens that rift, and enhances the importance and impact of true friends. Anthony Spaulding, whose poetic performance To Cut a Barber’s Hands has sparked a flurry of performances across the city, has a loyal friend in Anthony Jones who, at the age of 20, was sentenced to life in prison without the possibility of parole. Jones had his sentence commuted by J.B. Pritzger in 2021 after serving 29 years in prison, met Anthony Spaulding, (incarcerated at the age of 16) at Stateville Correctional Center. “We are good friends.” said Jones of Spaulding in an April 13, 2024 interview, “We met when we both were incarcerated at Statesville. We talk every day.”   

    While Spaulding has a free performance of his one-man show planned at Walls Turned Sideways at 2717 W. Madison on Saturday, April 20th from 6-8 pm. Jones is now a community navigator for the Illinois Prison Project who is teaching both inmates and the formerly incarcerated to navigate their lives in a positive and productive way.

    Part of being good friends is supporting each other through the highs and lows of life, and Jones’ friendship with Spaulding is no different. The lows of being incarcerated together have provided ballast to navigating society in their newfound freedom. Both men are now fully self-supporting individuals with adult responsibilities. While Spaulding’s focus has been on artistry both as a barber and as a multi-faceted performer, Jones’ focus has been on giving back to the community through his work with the Illinois Prison Project, a not for profit run by Jennifer Soble which is celebrating its third year in existence. 

    Jones’ work there is focused on helping incarcerated individuals navigate a complex prison structure that has systemic racism at its core. According to Jones, this is due, in large part to a clause in the 13th Amendment which states, “Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction.” (Italics added for emphasis.) According to the 2020 United States Census, African Americans are minorities who comprise only 13.6 percent of the population, but account for 33% of the prison population according to a 2020 Pew Research Center report

    Both men worked hard on redemption while in prison. Spaulding began his barber’s license in prison, and Jones earned his paralegal certificate and two college degrees. Jones, the father of a 30 year old son, is now engaged and the proud owner of his own home. These two community advocates work to contribute to their communities, each in their own way.

    “You know, I just cut the hair of a family that couldn’t afford to get haircuts this morning.” said Spaulding during a March 28, 2024 interview.

    Meanwhile, Jones is helping people return home to their families after years of incarceration. “We call them freedom rides. I picked up this elderly gentleman from prison recently…he is a dynamic speaker. When I saw him, I asked him to do Dr. Martin Luther King’s I have a Dream speech, and he did!” Enthralled by his friend’s oratory gift despite physical infirmity, Jones glowed with pride and excitement as he explained how he had taken this gentleman home to his family, who were friends with Emmett Till during the 14 years that Till was alive.

    Find out more about Anthony Jones work with the Illinois Prison Project at their website. Anthony Spaulding can be found at Walls Turned Sideways next Saturday, April 20, from 6-8 pm, here is where to find him on social media.

  • An Artist with the Clippers and the Word: Anthony Spaulding

    An Artist with the Clippers and the Word: Anthony Spaulding

    Anthony Spaulding is a multi-talented artist currently working as a barber at State Street Barbers in Chicago’s Old Town neighborhood. (Photographed by C. Schandelmeier)

    Imagine a child with a bowl on their head whose father cuts around the bowl to create a hair style. This may sound like a cosmetologist’s nightmare, but that is just what Anthony Spaulding’s father did to make sure Spaulding and his brother were clean cut and cost-effective.  The embarrassment of the haircut that followed, encouraged Spaulding to pick up the clippers himself. Spaulding wrote, directed and performed his one man show To Cut A Barber’s Hands which toured locally in Chicago from church to church for months. While he is now hard at work on another show, he also needs to survive. He can be found waxing poetic at State Street Barbers at 1545 N. Wells in Chicago’s Old Town where he cuts hair six days a week. 

    Spaulding is also making sure to contribute to the community by cutting hair for people who, like his family, cannot afford it. The day he interviewed at his place of employment, he had just been to visit a family who was in dire need. He arrived early at their family home and cut hair for everyone there, out of the goodness of his heart. 

    Spaulding is known for  performing with panache, on the spur of the moment. He cuts a striking figure as he showed up to a recent poetry reading at the Highland Park Art Center wearing a stylish black suit and black button down shirt, the only ornamentation being a large gold crucifix around his neck. “You are the best dressed person here!” Exclaimed poetry host Lynn West after Spaulding humbly admitted he was not prepared to perform, and yet came through with a perfectly memorized poetic performance. 

    He has a firm foundation in faith and family while exhibiting a growth mindset.  “When you’re a barber, you have to be willing to change to keep up with the times.” He said during an interview with Poetry in Chicago.  These qualities are paramount in his daily interactions with customers where he has a keen sensitivity for each customer’s  unique style. To find out more about his work, follow him through social media accounts listed on his link tree account at Aplus Innovations LLC. and read Poetry in Chicago’s January article about him. 

  • Windy City Words hosted by ChiRon Kingfish

    Windy City Words hosted by ChiRon Kingfish

    Windy City Words opened its doors to poetry with host ChiRon Kingfish for the first time on March 16, 2024. (Video by C. Schandelmeier)

    WINDY CITY WORDS hosted by ChiRon Kingfish (Photo by Cathleen Schandelmeier, March 16, 2024).

    ChiRon Kingfish, host of Windy City Words, creates a sign for out front of the new poetry venue that had it’s grand opening March 16, 2024. (Photo by C. Schandelmeier)

    Windy City Words opened the doors at 4251 N. Lincoln in Chicago for its inaugural poetry reading hosted by poet ChiRon Kingfish (Christopher Kuck) on Saturday March 16 at 8pm. Kingfish, a certified mental health counselor and former Waldorf School teacher, was invited by the Rudolf Steiner Branch Library to host an open mic poetry reading at the venue which boasts loft ceilings, plenty of room, and a Jewel right across the street. Colin Williams, the professional sound engineer in charge of Audible Sound Productions, and four very different poets provided the venue with a festive air that included a turntable spinning the tunes of, for example, Miles Davis, and Earth Wind and Fire. 

    Kingfish started the evening with a story about William Wells, the reason behind the name of Wells Street that extends from Old Town through downtown Chicago. The story is epic in proportion to the larger than life personality of a Wells who was also known as “Carrot” for his red hair. Wells was acculturated to working with both indigenous people of the Americas, as well the colonialists. The story ends with the Potawatami eating the heart of Wells, who knew he was meeting his end, and painted his face a solemn black in the Miami tradition as a result. Poetry legends abounded that Saturday night as DH Robman (Doug Binkley) took the stage.

    The evening did a deep dive into Robman’s sonnets, who created work honoring those fighting for Ukrainian freedom. As the only female-identifying poet in the group, I did three pieces slated to be performed or Women’s History Month, on Saturday, March 23rd at 1 pm in The Art Center Highland Park, 1957 N. Sheridan Road. Steven Kerr picked up the beat with his rhythmic hip hop influenced poetry that evolved into a political monologue. Dawi Opara wrapped up the poetry with excerpts from his book. Opara also has a side hustle of selling records on Maxwell Street, on Sundays, and has vintage vinyl records for sale, many of which are still in their original shrink wrapped packages.

    Kingfish plans on continuing the Saturday night poetry reading on a monthly basis, with the next one scheduled for Saturday, April 20th at 8 pm.

  • “When the Night Finds You” by Dwight Okita

    “When the Night Finds You” by Dwight Okita

    Dwight Okita performs When the Night Finds You video shot and edited by C. Schandelmeier, March, 2024.

    “When The Night Finds You” by Dwight Okita

    It is Oscar night, and a blue heaven of the miraculous surrounds Dwight Okita as he opens his door to his 29th floor studio condominium, an island in the sky of Chicago, where he writes, works, and dreams.  He offers a chair, the city cloaked in night, and sparkling below. As the evening progresses, The 2024 Academy Awards are disappointing for Okita because Oppenheimer’s Oscar sweep was a tragedy for Barbie. He was also rooting for the director to at least win for Best Adapted Screenplay, but not this time. American-born, third generation Japanese, Okita has insider knowledge about what happened when the bomb dropped, having co-authored a Joseph Jefferson award-winning play with Nick Patricca, Anne McGravie and David Zak titled The Radiance of a Thousand Suns: The Hiroshima Project  (1995) which may be the reason why the Oppenheimer win rankles. 

    He shares some of the ramifications of the dropping of the bomb on Japan: the fact that most of the people who were killed were ordinary citizens, the flesh that literally came off their bones when touched, the imprint of a kimono pattern word at the time of the blast permanently seared into the skin of the wearer. By contrast, the hope-filled promise of Barbie gives the post-pandemic audience a reminder of what happiness feels like. For the author of The Hope Store (2017), this is understandably important.

    Dwight Okita points out the larger than life version of the cover for his 2017 novel, “The Hope Store.” (Photo by C. Schandelmeier, March 10, 2024).

    “Let’s break it down, Cathleen,” he said. “Oppenheimer is about a white man who feels a little bad about creating a bomb that could’ve destroyed the world – and did destroy tons of Japanese civilians. A story of white guilt. Barbie is about a female doll that has an existential crisis when she realizes that humans actually die. She makes a decision that I found moving and heroic. Barbie was the movie the world didn’t know we needed to see! It was entertaining and hopeful after the endless pandemic.”

    Dwight Okita’s cover on the Kellogg’s Corn Flakes box is proudly displayed in his Chicago home. (Photo by C. Schandelmeier, March, 10, 2024)

    Okita shared a story about appearing on the cover of the Corn Flakes box. “Dad was a grade school teacher and he bought twenty boxes. He had me autograph them for his fellow teachers,” he said concealing a smile. Oddly, his father was less boastful about the first poem Okita got published, perhaps because it was in a small Chicago publication, whereas the cereal box was Kellogg’s after all. The poem “In Response to Executive Order 9066 (which refers to the order that caused Japanese Americans to be forcibly removed from their homes, and interned during World War II) went on to be included in scores of textbooks and in the Norton Introduction to Literature. 

    Okita has it, the gift of poetry, the ability to weave magic with words, the unique perspective of someone who tackles issues head-on while viewing them dreamily, from a distance in his fantasy land in the sky, where the dream factory of Hollywood colors and impacts  his very real life. To learn more about Dwight Okita or his book go to his website at dwightokita.com.

    Dwight Okita in his Chicago home on the 29th floor. (Photo by C. Schandelmeier, March 10, 2024).
  • Lynn Fitzgerald: Irish Rebel Poet

    Lynn Fitzgerald: Irish Rebel Poet

    By C. Schandelmeier

    Poet Lynn Fitzgerald is a modern day outlaw poet, pulling up in a vintage 1997 emerald green convertible Jaguar. The accelerator on the car is so sensitive that before she knows it, she is traveling over the speed limit. Life in the fast lane is no surprise to Fitzgerald, who is a true daughter of Ireland, at once brave and humble, outrageously stylish and brilliantly brainy. Lynn Fitzgerald grew up in Chicago, while tightly bound in the culture of her heritage, though her mother, (a World War II “war bride” shipped in at 19 directly from the Emerald Isle) denied she was from anywhere but Chicago. Is it any wonder that as a young woman in college at Loyola University,  Fitzgerald met her future husband in Loyola’s library. She fell in love with a man who was a Palestinian immigrant, studying politics and history. 

    Their passion helped to change the world. Together, they were members of Teatro Barrio, housed in the original Casa Atzlan in Pilsen, where  performances and readings were staged in Spanish and English. These events depicted the struggle for better wages and conditions for farmworkers, and led to the national boycott of grapes, bringing nationwide attention to the United Farm Workers (UFW). They also were part of Bread and Roses Theatre, and staged a play about the 1937 Sit  Down Strike in Flint, the biggest strike in the 20th century, resulting in the United Auto Workers (UAW) becoming a nationwide labor union, which paved the way for the Steelworkers to unionize. They were involved in theatrical renditions of critical events in history (her husband’s area of specialty). In love, this dynamic young couple brought history to the people and changed lives. Love is what drew them together, and life is what pulled them apart. 

    After their divorce, Fitzgerald, who had few role models of single mothers, suddenly found herself engulfed in teenagers as she was raising her children by herself and teaching teens, too. During this time, she was a teacher (now retired) for Chicago Public Schools. She taught English at Prosser Career Academy, in the International Baccalaureate and Advanced Placement programs, as well as at Roberto Clemente Community Academy High School’s evening school for over 20 years. She edited the literary magazine, taught creative writing, and was one of the original high school coaches for the poetry slam in Chicago. Subsequently, she has moved on to become an adjunct professor at City Colleges of Chicago. Nothing grounds a mother like her children, and Lynn’s children are no exception. They both (though now grown) have faced incredible blowback from their Palestinian heritage during the current Israeli-Hamas war, even though their father passed away two years ago. 

    She has taught not only here but abroad, in China, Kuwait and Beirut. One minute will find her reading her captivating poetry to a packed house at a poetry venue, the next, dashing to teach a class, or create a lesson plan on the likes of the beginning of cinema, with A Trip to the Moon by Georges Méliès.  Fitzgerald is not bound to the conventions of society, and finds inspiration and motivation by spending time with nature, where she finds the most solace and connection.  It is no wonder that her 2011 chapbook of poetry was titled “Closer to the Earth.” Fitzgerald is currently at work writing a manuscript of new poetry as yet untitled. To reach her or find out more, go to her Tumblr account Marycelle.

  • The History of Hip Hop with Emcee Monte

    The History of Hip Hop with Emcee Monte

    Welcome to the first-ever podcast for Poetry in Chicago (<-click here to hear it!) We are looking into the history of hip hop today, with Emcee Monte, who is also known as Monternez Rezell. In “Jammin’ with the Boombox, Volume 2: 50 Years of Hip Hop” he has created a poetic album that is rooted in Hip Hop culture, and funded by a grant from the city of Chicago’s Department of Cultural Affairs and Special Events, (commonly known as DCASE.) His journey into Hip Hop began at Kenwood Academy High School on Chicago’s Southside

    “The University of Hip Hop and my mentors. Lonnie Raven and Hector  really gave me the foundation of the culture, so not only was I practicing how to be a Beat boy or how to break dance or practicing rapping, or practicing graffiti, practicing rapping. I was really engulfed in the culture of hip hop and all of the elements, and learning the history, learning the importance of knowing my foundation and the founders of the culture, and being a part of the legacy of hip hop, and not just being on the side rapping and thinking “I’m gonna rap! I’m the best rapper!” But  being a part of the community as a whole, and contributing to Hip Hop culture. Not just participating in one thing. Not just being on the sidelines, but participating in the culture and passing it down to the next generation.  My mentors taught me, and now it is about being the best mentor I can be to the next generation” 

    – Emcee Monte

    Poetry in Chicago: Tell us something about the history of Hip Hop since you are so well versed on it. 

    “One of the things that you need to know is that hip hop started in New York City in the Bronx, DJ Kool Herc is credited with inventing the first break beat in that moment, in that year in 1973. When DJ Kool Herc revealed his merry go round technique, and that was the catalyst for the bridge to bring all of the elements of hip hop together. That creation of breakbeats sparked the moment and growth of  break dance and creating break dance to go with the break beats and those two things were the birth that inspired the growth with the hip hop culture. From there, you add the emcee, and the other elements. But now, hip hop culture has come to be more and more popular and become a force within the music industry. Now, as we know, it is one of the most popular styles of music in the world, rap and hip hop music has now surpassed rock music in being one of the most popular styles of music.”

    – Emcee Monte

    “Yes! Isn’t it fabulous? There are so many layers to it. And I love how it comes from the people, it is a shout out from the souls of the people. We really needed something from the people.”

    “It was counter culture when it started.”

         As you can see, Emcee Monte is a true artist, Southside born, and raised in the University of Hip Hop, who is struggling to make sense of the world, not a big-time star who is making money from a huge music conglomerate. This fact makes him accessible to people who will be able to relate to his fresh, innovative approach to hip hop music while being firmly rooted in its history. His poetic approach is rooted in the 5 branches of Hip Hop: Mcing, DJing, Breakdancing and knowledge all of which are rooted in one dynamic album that celebrates history and pushes the edge of the art form all at the same time. To find out more about Emcee Monte and the Movement Revolution Dance Crew, go to https://emceemonte.com/ Let’s give his music a listen.